Monday, 1 December 2014

The Latest Music News - New Singles and Studio Albums from: Bryan Ferry, Yusuf (Cat Stevens), Take That and Simple Minds.

 
Also included in this Music News Blog: A Studio Album you may have missed out when it was first released- The Latest Studio Album from Barbara Streisand.
 
 
 
 
 
Avonmore is the fifthteenth studio album by the British singer Bryan Ferry, released in the United Kingdom on November 17th 2014.
 
The album was announced on September 23rd 2014 with a preview of the song Loop De Li. The album has been produced by Ferry with long-term collaborator Rhett Davis, who has produced several albums for Ferry and Roxy Music. The album also features Ferry regulars such as Fonzi Thornton, Nile Rodgers, Marcus Miller and Johnny Marr (who co-wrote the track ').The album includes two cover versions, a rendition of Stephen Sondheim's Send in The Clowns and a version of Johnny and Mary, originally by Robert Palmer.
 
Reception of the album was generally positive. Allmusic critic Stephen Thomas Erlewine gave 4 stars out of 5 to the album writing that 'this is Ferry's prime, a moment when his legacy was intact but yet to be preserved in amber'  and that the album 'consciously evokes this distinct period, sometimes sighing into the exquisite ennui of Avalon but usually favouring the fine tailoring of Boys and Girls, a record where every sequenced rhythm, keyboard and guitar line blended into an alluring urbane pulse'   and that 'the songs are what makes this record something more than a fling'. Popmatters critic John Paul wrote that the album 'functions as a well-deserved victory lap for both Ferry and those he's assembled, triumphantly returning to relevance and reminding listeners he's been doing this since the 70's. It's just taken this long for the mainstream to catch up with where he's been all along'. Writer T.Cole Rachel from Pitchfork Media was less positive, giving the album 6.7 out of 10, writing that the album, in places, 'flounders when the music, which routinely flirts with a kind of adult contemporary smoothness, leans over into blandness' and stating that 'Ferry's well-documented good taste is both an asset and possibly a curse'  and concluding that the record is 'a fine addition to Bryan Ferry's oeuvre, if not necessarily a terribly challenging one'.
 
I am over-joyed that this new studio album by Bryan Ferry is getting the high praise and recognition it so richly deserves. The real blessing of this album is Bryan Ferry reuniting with producer Rhett Davis who has produced classic Bryan Ferry and Roxy Music studio albums in the past. It is both of their very incredible hard work in the recording studio, working on the Avonmore studio album, that has created an album that is a reflection of quintessential classic Bryan Ferry and Roxy Music's past. 
 
The Avonmore album manages to sound classic and contemporary at the same time and that's the album's real saving grace.
 
What is even more incredible, is that it is the continuing relationship of  Bryan Ferry and Rhett Davis that has been able to produce  this incredible new studio album. Rhett Davis retired from music studio production in the 1990's, but has been collaborating with Ferry on albums like: Dlyanesque (2007) Olympia (2010) and The Jazz Age (2012).
 
It is about time the British Music Industry, gives Bryan Ferry the same kind of respect that David Bowie has been given throughout his music career.
 
Bran Ferry is one of the Finest Male British Vocalists of Cool and Sophisticated Pop Music that the United Kingdom has ever produced. His has definitely earned his due respects as one of British Popular Music's finest music stylists.
 
Tracklisting for Avonmore
All songs by Bryan Ferry except where indicated.
  1. Loop De Li
  2. Midnight Train
  3. Soldier of Fortune      Bryan Ferry, (written with Johnny Mar)
  4. Driving Me Wild
  5. A Special Kind Of Guy
  6. Avonmore                  Bryan Ferry, (written with Oliver Thompson)
  7. Lost
  8. One Night Stand        
  9. Send In the Clowns    Stephen Sondheim
  10. Johnny and Mary        Robert Palmer
Below is the music video for the  first official single released from this new studio album from Bryan Ferry- for the music track, Loop De Li. The track was officially released on November 17th 2014.
 
 

 
 
 
 
 
Tell 'Em I'm Gone is the fourteenth studio album by Yusuf (formerly known as Cat Stevens). The album was released on October 27th 2014 by Legacy Recordings. It is Yusuf's third mainstream release since  his return to music and his first one since 2009's acclaimed Roadsinger.
 
On the album cover, the singer is credited as 'Yusuf' with a promotional sticker identifying him also as 'Cat Stevens'.
 
On September 15th 2014, Yusuf/ Cat Stevens announced two upcoming short tours: a November 2014 ( 9-date) Europe tour and a December 2014 (6 date) North American tour, the later being his first one since 1976.
 
It really is Fantastic that Yusuf is making music in a way he used to as Cat Stevens. Give this album a listen, you will be richly awarded in your listening pleasures. Yusuf/Cat Stevens still (as a male vocalist) has one of the most distinctive voices in the whole history and evolution of British Popular Music.
 
Tracklisting of Tell 'Em I'm Gone
All songs are written by Yusuf except as indicated.
  1. I was Raised in Babylon
  2. Big Boss Man (Luther Dixon-Al Smith)
  3. Dying to Live (Edgar Winter)
  4. You Are My Sunshine  (Jimmie Davis-Charles Mitchell, arr.Yusuf)
  5. Editing Floor Blues
  6. Cat and the Dog Trap
  7. Gold Digger
  8. The Devil Came from Kansas (Gary Brooker-Keith Reid
  9. Tell 'Em I'm Gone  (originally 'Take This Hammer', arr. Yusuf)
  10. Doors
Below you can see a video about the making of this incredible new studio album by Yusuf/Cat Stevens as well as an Audio Video of Yusuf take on the track You are My Sunshine, which is the 4th track on this new studio album.
 
What is incredible about You Are My Sunshine is how true it sounds like the Cat Stevens of the 1970's, not just in vocals but also studio production style. There is the old classic Cat Stevens style while at the same time reflecting on his deep faith as a Muslim, which for many years he has been reflecting on his studio albums as Yusuf Islam.
 
This Artist vocals have certainly not diminished over the periods of decades, in fact you could say he is sounding better than he ever has.
 
 

 
 
 
 

 
 
 
III is the seventh studio album by British pop band Take That. It is the band's first studio album in four years and the first to feature the band as a trio, following the departures of Jason Orange and Robbie Williams. The album is due for official release in Germany and Ireland on November 28th 2014 and an official release of December 1st 2014 for the United Kingdom. According to Gary Barlow, the album's sound is an 'amalgamation of the past eight year's' of Take That material.
 
Recording for the album began in January 2014, with Gary Barlow, Howard Donald and Mark Owen entering the studio as a trio, with the consent of Jason Orange, who was undecided at the time whether or not he wished to continue with the band. Barlow claims that the album was recorded with 'a big space' for Orange, as they had hoped he would change his mind and return to the band. At the time, Robbie Williams had stated that he may not be able to record as part of the group due to his tour commitments and the upcoming birth of his second child and was not present during the recording sessions.
 
In September 2014, Orange officially announced his departure from the band, and the band re-entered the studio to record the remaining parts which had been left for Orange. Donald claimed that the band did consider splitting up following Orange's departure, but decided against this and instead pressed on with recording the album. Owen said of the album,'It was quite downbeat, and we needed to change it to bring more energy to it. Then around May, the three of us locked ourselves down for two or three weeks and started to play with sounds, and for me that's when we started for real. The energy was more positive. Now it's one of our most upbeat records.' Barlow also said of the album, 'We're not writing a retirement record.'
 
These Days, the album's lead single, is described as 'something unlike anything the boys have ever written before'. The song was co-written by Jamie Norton and Ben Mark and produced by Greg Kurstin (Kay Perry, Kylie Minogue, Lily Allen). The song is described as a signature Kurstin song, featuring 'Chic-style funk guitar riffs and Pet Shop Boys style vocal effects.' as well as 'having pure pop written all over it'. 'Let in the Sun' is described as the likely second single from the album and a mix between Calvin Harris and Mumford & Sons. The song was produced by Stuart Price. Barlow described the song as a 'homage to the early years', Whilst Owen said it's 'the song your dad would write if he was trying to get down with the kids.'
 
If You Want It  is described as '90's sounding pop banger with big production and an uplifting chorus', again produced by Kurstin. A line in the song, 'Everything could be a little bit brighter', is suggested to be a nod to the band's recent struggles. Barlow said that a video for the song could be reminiscent of the early  Jazzy Jeff and the Fresh Prince. Get Ready for It was written for the soundtrack of forthcoming Brit flick Kinsman: The Secret Service,(Official release for February 12th 2015) starring  Colin Firth and Michael Caine. The song was produced by John Shanks and is described as 'loud'  and 'euphoric'  and  'unmistakably Take That', with a heavy drum introduction and a battle cry from Barlow. Early reviews suggest the song could match the success of the band's 2007 single Rule the World. The album also features production from Jeff Lynne, although it has not yet been announced which tracks he has worked on.
 
  • These Days was released as the lead single from the album on November 14th 2014. The single premiered on BBC Radio 2 on October 10th 2014 and was then released to Vevo in the form of an audio video.
  • Get Ready for It  is scheduled to be the second single and will play during the credits of upcoming film Kingsman: The Secret Service.
The standard version of the album contains twelve tracks, while the deluxe edition boasts an additional three bonus tracks. A super-deluxe edition of the album released in a bespoke artwork box with five photographic prints, as well as being signed in limited quantities, is available from the band's official store. Google Play also secured the rights to an exclusive version of the album, which contains an additional three bonus tracks including a remix of These Days.
 
Tracklisting for III (Standard Edition)
  1. These Days
  2. Let in the Sun
  3. If You Want It
  4. Lovelife
  5. Portrait
  6. Higher than Higher
  7. I Like It
  8. Give You My Love
  9. Freeze
  10. Into the Wild
  11. Flaws
  12. Get Ready for It
III Deluxe Edition
 
13.      Believe
14       Amazing
15.      Do It All for Love
 
III Google Play Limited Edition
 
16.     Fall Down at Your Feet
17.     If It's Not Love
18.      These Days  ( Steve Pitron & Max Sanna Club Mix)
 
 
 

 These Days is a song by British pop group Take That. It was released through Polydor Records on November 14th 2014 as the lead single from their seventh studio album, III (2014). The song was written by Take That and produced by Greg Kurstin. The single was the first to feature Take That as a trio following the departures of Jason Orange and Robbie Williams and features all three members singing joint lead vocal.
 
It became known early into the writing process that Jason Orange was unsure whether he would re-join the band for the new single and album. Mark Owen stated 'We've known for a while that Jay (Jason Orange) was like, 'I don't know if I'm doing this or not' he says. As time went on Gary Barlow admitted that the band had  'hit the point where we could do nothing else' and began writing music with Orange's blessing'. The band then went to Los Angeles in May 2014 and locked themselves in a room 'for two or three weeks and started to play with sounds' resulting in a much more upbeat energetic song which later became These Days. Take That later played Orange These Days who 'loved it'.
 
The video for These Days was based on a concept from Mark which they shot through until the early hours of two days. The music video begins with Take That in bed together before they wake up and get ready for the day ahead. The video shows the band getting spray tanned (a homage to Jason Orange), getting perm haircuts and performing in an empty church while the congregation dance around them. The video described by Mark Owen as fun and tongue in cheek. A source close to the boys said: 'It was a three day shoot put into two days so they worked really hard. It was a bonus they didn't have to dress up too much and could stay in the clothes they wore to sleep in!'
 
Take That performed These Days for the first time live on The X Factor on November 23rd 2013. They also performed the song on The Graham Norton Show on November 2014.
 
The single received positive reviews upon its first airplay with Neil McCormick of The Telegraph calling it 'uplifting' and 'fun and fuzzy comeback'. He concluded stating 'There is enough hook-laden chutzpah about this comeback to suggest these unlikely survivors of British pop are about to triumph again. If you didn't actually know someone had left the band, you would never guess from listening to 'These Days', although there might just be a message to the deserter in the opening line: 'I can see the future coming to you crying with a sadness in your eyes'. The Independent called These Days 'an upbeat and energetic dance track with the carpe diem theme rolled out by many an artist: 'Tonight we gotta live for/ We gotta live for these days/Tonight, tonight, we'll  remember/We'll remember these days.' There is also perhaps a sense of nostalgia in the song, as the originally five-strong band sings: 'Take me back/ To where it all began.' They conclude that 'the lyrics also express a desire to rejuvenate the sound of their heady Nineties heyday. All three- Gary Barlow, Howard Donald and Mark Owen-share vocal duties on the song, a nod to the sound that defined their early years and out-and-out feel-good pop'.
 
Take That's New Single and Music Video is probably the most upbeat fun single and music video the group have ever released. Music Video Director Henry Scholfield directed the incredible music video for These Days. His use of bright colours with pastel colours in this music video reminds me of Yoann Lemoine's use of colours in Pharrell Williams music video for the track Happy (2013) and Mark Romanek's use of colours for Taylor Swift recent music video, for her single: Shake It Off (2014). Both of these videos seem similar to the These Days music video in style and content.
 
This new music video by Take That is incredibly stunning and I for one hope it gets some recognition at music video award shows.
 
So below you can see the incredible  music video for Take That's first official single from this new studio album; for the track: These Days.
 
 

 
 
 
 
 
 
Big Music is the sixteenth studio album by Scottish rock band Simple Minds. The new studio album was officially released on October 31st 2014 by Sony Music. Honest Town was released  as the lead single on October 10th 2014. The album was available to stream from October 28th 2014.
 
During the recording of Simple Mind's previous studio album Graffiti Soul (2009), Jim Kerr stated 'We really are flowing with ideas at the moment and ... I do feel that we are possibly writing two albums simultaneously at present. Several tracks were omitted from Graffiti Soul so that the album had more focus. Possible candidates include Six Degrees Of Separation, Lotus Effect and Shaman.
 
According to Simple Minds lead singer Jim Kerr, Big Music has lots of power and passion, urgency and momentum, adding 'it is energetic, it's got a raw power and a lot of vitality'.
 
For the songs that have been included on this new studio album: Blood Diamonds and Broken Glass Park was originally released in March 2013 on Celebrate: The Greatest Hits in another version. Let the Day Begin is a cover of the 1989 song by The Call. Swimming Towards the Sun  was originally released on 'Our Secrets Are the Same' Album (As part of their 5cd Silver Box Set-2004). Riders on the Storm is a cover of the 1971 song by The Doors. Dancing Barefoot is a cover of the 1979 song by Patti Smith.
 
The Title song Big Music was intended to be the first single but the idea was dropped. On September 23rd 2014, Simple Minds announced that the first play of their new single Honest Town was released as the lead single on October 10th 2014.
 
Upon its release, Big Music received generally positive reviews from music critics. The review aggregator website, Metacritic assigns a 'Metascore' to each album, which is based on the ratings and reviews of selected mainstream independent publications and the release has a score of a 76 based on 7 selected critics, indicating 'generally favourable reviews'. The Guardian rated the album three stars out of five, commentating that 'the band have managed to craft an five, commenting that 'the band hand managed to craft an album of pop that's both true to their sound and interesting enough to give it a contemporary edge.'
 
In the United Kingdom, Big Music debuted at number 12 on the UK Albums Chart. The album sold 10,207 copies in its first week and became the group's 17th top 75 album.
 
Tracklisting for Big Music.
  1. Blindfolded
  2. Midnight Walking
  3. Honest Town
  4. Big Music
  5. Human
  6. Blood Diamonds
  7. Let the Day Begin
  8. Concrete and Cherry Blossom
  9. Imagination
  10. Kill or Cure
  11. Broken Glass Park
  12. Spirited Away
Deluxe edition- Disc 2
 
13.    Swimming Towards the Sun
14.    Bittersweet
15.    Liaison
16.    Rider on the Storm
17.    Dancing Barefoot
18.    Blindfolded  (reprise)
 
Deluxe edition - iTunes Store bonus tracks
 
19.  Blindfolded (video)
20   Honest Town (video)
21   Album Interview (video)
 
Deluxe edition- DVD
  1. Honest Town (video)
  2. Blindfolded (video)
  3. Let the Day Begin (clip)
  4. Human (clip)
  5. Midnight Walking (clip)
  6. Behind the Scenes
  7. Band Interviews
Editions
  • Double vinyl edition as a heavyweight black vinyl in wide spine sleeve with printed inner sleeves
  • Limited edition deluxe box-set also including the original album, a DVD and a poster and booklet in foil-blocked box.
Below is the music video for the 1st Official single released from Big Music, the track Honest Town.
 
What is very interesting about Simple Minds new studio album is how the band seem to be returning to that pop-rock 1980's formula of their hit-making days. The formula that established them as one of the finest rock groups to come out of Scotland since the post-punk era.
 
Simple Minds in the 1990's took on even more sonic soundscapes in their music, being very much compared to what U2 were creating in the recording studio.
 
Simple Minds began their career a year after U2 in 1977, and at the beginning (compared to U2)were very much regarded as a pop group.
 
Ever since the 1980', Jim Kerr as a song lyricist, has always badged his Jim Morrison (Doors comparisons) firmly on his sleeve in showing us the double meaning of rock lyrics. His lyrics always seems to be searching for the deeper-dimensional meanings of life. What is interesting about the Blindfolded music video is how (for probably the first time in a Simple Minds music video) Jim Kerr meaning of life dimension are given the full visual treatments of his lyrics. This visionary aspect is shown throughout this whole music video, without one human being seen through this whole music video. From what Jim Kerr has always given us as listeners and viewers in Simple Mind's,  songs and music videos, this particular music video makes perfect sense. This song is very reminiscent of Simple Minds 1980's heyday.
 
As I have said before, Simple Minds at the very beginning of their career were regarded very much as a pop group and what is interesting about the music video for Broken Glass Park ( which was released as the Greatest Hits package) is how the music video show scenes from the very beginning of their music career. This music video is a visual feast for ANY Simple Minds fan. Like the Blindfolded track, Broken Glass Park is also very reminiscent  of Simple Minds music in the 1980's.
 
I have also included the music videos below for Blindfolded and Broken Glass Park.
 
 

 
 
 
 
 
 
 
 
 
 
 
Partners is the thirty-fourth studio album by Barbara Streisand, officially released in September 16th 2014. The album features Streisand singing duets with an all-male line-up including Stevie Wonder, Michael Buble,Billy Joel, John Legend, John Mayer, Andrea Bocelli, Lionel Richie and the late Elvis Presley. The collection also features Streisand's first studio-recorded duet with her now 47 year old son, Jason Gould. The album release was promoted on The Tonight Show, where Streisand was the evening's sole guest and sang a medley with host Jimmy Fallon.
 
While the recordings are new, most of the songs have a previous history as Streisand releases. Two classic Streisand duets are updated with new partners: What Kind of Fool, newly performed with John Legend (originally with Barry Gibb) and Lost Inside of You ,newly performed with Babyface (originally with Kris Kristofferson). The deluxe edition features an additional duet with Babyface along with previously released material featuring Frank Sinatra, Bryan Adams, Barry Manilow and Barry Gibb.
 
Partners topped the Billboard 200 with sales of 196,00 copies in the first week, making Streisand the only recording artist to have a number-one album in the 1960's, 1970's, 1980',1990's, 2000's and 2010's. It was also certified gold in November 2014, thus becoming Streisand's 52nd gold record, more than any other female artist in history.
 
After selling 196,000 copies in its first week, it fell to number three the following week, selling 127,000 copies, the lowest second-week decline for a number one-debuting non-compilation album in nearly four years. After just six weeks on sale, the album crossed half a million in US sales, having sold 526,000 copies total in the country.
 
In Canada and Australia, the album also reached number one, selling 13,000 copies in each country. In the Netherlands, New Zealand and UK, the album reached the number two spot on national sales charts, becoming Streisand's highest charting album in the Netherlands since One Voice peaked at the same position in 1987. In Ireland the album reached the number six position, becoming Streisand's highest charting album since Guilty Pleasures in 2005. The album debuted in the Top 10 in Austria, Germany, Spain and Poland and reached Top 40 positions in Belgium (both regions), Denmark, Italy and Switzerland.
 
Tracklisting for Partners                    Duet Partner
  1. It had to be You                       Michael Buble
  2. People                                      Stevie Wonder
  3. Come Rain or Come Shine      John Mayer
  4. Evergreen                                 Babyface
  5. New York State of Mind          Billy Joel
  6. I'd Want It to Be You                Blake Shelton
  7. The Way We Were                    Lionel Richie
  8.  I Still Can See Your Face         Andrea Bocelli
  9. How Deep Is the Ocean             Jason Gould
  10. What Kind of Fool                     John Legend
  11. Somewhere                                 Josh Groban
  12. Love Me Tender                         Elvis Presley
Deluxe Edition bonus tracks
 
13     Lost Inside of You (2014,previously unreleased)       Babyface 
14     I've Got a Crush on You (1993, Duets )              Frank Sinatra
15     I Finally Found Someone (1996, The Mirror has Two Faces soundtrack)  Bryan Adams
16      Won't Be the One to Let Go  (2002, Duets)       Barry Manilow 
17     Guilty (1980, Guilty)                                           Barry Gibb
 
Below you can see a video about the making of this incredible new studio album by Barbra Streisand, plus  videos of four of the artists on the album: Stevie Wonder, Michal Buble, Lionel Richie and Josh Groban  who each describe their contributions to the Partners album.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Happy Music Buying and Listening Folks!
 
Roger Howard.    01/12/2014
 
 
 
 

 
 
 
 
 
 


 

 
 
 

 
 

 
 

 

 

 

 
 

 
 
 
 
 
 

 
 
 

Wednesday, 22 October 2014

The Latest Music News: New Singles and Studio Albums from - Erasure, 3rdeyegirl and Prince, Prince,Labrinth,Sinead O'Connor and Lady Antebellum.

 
 
 
 
The Violet Flame  is the sixteenth studio album by English synthpop duo Erasure. The album was released through Mute Records on 22nd September 2014 in the UK and 23rd September 2014 in North America. The album contains contains original tracks written by band members Vince Clarke and Andy Bell and is produced by Erasure and Richard X.
The album's first single, Elevation was released prior to the album, with a coinciding world tour.
 
The Violet Flame track list was released on July 18th 2014.
 
On September 28th, the album charted at #20 on the official UK Albums Chart, giving the duo their first Top 20 album since Other People's Songs in 2003. In the US, the album entered the Billboard 200 at #48, giving  Erasure their first Top 50 album since 1997's Cowboy.
 
The Violet Flame was released as a standard CD, a deluxe 2CD, a digital download and a limited edition 3-CD box set which includes the original album as well as additional material.
 
All songs written and composed by Andy Bell, Vince Clarke and Richard X.
 
Track Listing for The Violet Flame.
 
  1. Dead of Night
  2. Elevation
  3. Reason
  4. Promises
  5. Be the One
  6. Sacred
  7. Under the Wave
  8. Smoke and Mirrors
  9. Paradise
  10. Stayed a Little Late Tonight
Below is the music video for the first single that was officially released from this new studio album by Erasure. The track Elevation. This track was officially released on September 15th 2014.
 
What I love about this music video is the music visuals to this Erasure music video. Erasure have always used the dance/house music genre throughout their career as a group in the music they make, but as far as music video is concerned; this is the first time that I have seen an Erasure music video, totally represent that  music culture and one where Erasure as a group are not seen in one of their own music videos in any visual capacity.
 
This is certainly a very brave decision on Erasure's part, to release the first single's music video of a new studio album and not been shown in the music video. When you are a group such as Erasure who have been making music for a very long period of time, you can certainly make those kinds of decisions with a first single from a new studio album. I t does not effect their career making that decision.  The Pet Shop Boys have successfully made those kind of same decisions with first singles from  their new studio albums in recent years.
 
 

 

 
 
 
Plectrumelectrum, stylized as PLECTRUMELECTRUM , is a studio album by American recording artist Prince and rock band 3rdeyegirl. It was released simultaneously with Prince's Art Official Age on September 30th 20124. Plectrumelectrum received generally positive reviews from critics.
 
Upon releasing both Plectrumelectrum and Art Official Age on the same day at the same time and on the same calendar year, respectively that made only Prince the third artist to release two major studio albums on the same day, behind E-40   who released Revenue Retrievin': Day Shift and Night Shift in 2010 and Nelly who also released Sweat and Suit,  just ten years ago in 2004.
 
According to Randall Roberts of the Los Angeles Times, Plectrumelectrum is a rock album with lyrics and sound effects characteristic of Prince's 'nobles weirdness' and 'sense of humor'. Abigail Covington of The A.V. Club said that 'it takes a no-nonsense approach to funk and for the most part plays near the shallow shores of rock 'n' roll's enormous waters.'
 
Plectrumelectrum received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 61, based on 18 reviews. Q magazine said that 'the sound of {Prince] working with a lean combo is so refreshing and a welcome first in his mammoth catalogue.' Kyle Anderson of Entertainment Weekly felt its hooks and band dynamic make it a better album than Art Official Age. Neil McCormick of The Daily Telegraph wrote that 'the rock format appears to have concentrated him on songwriting basics.'
 
In a less enthusiastic review for The New York Times, Jon Pareles wrote that Plectrumelectrum is limited by its 'rigorous, deliberately retro back-to-basics mandate' because Prince is better at Synthesizing styles together rather than reproducing them. Stephen Thomas Erlewine wrote in his review for AllMusic that the album does not try anything new, but called it 'Quiet thrill to hear Prince spar with worthy partners, as he does throughout this record.
 
The album debuted at number eight on the Billboard 200 and sold 26,000 copies in its first week. In its second week of sales, the album dropped down to number 47 on the chart, selling 7,000 copies, bringing the album total sales to 33,000 copies.
 
Track Listing for Plectrumlectrum.
All Songs Written and Composed by Prince
  1. Wow
  2. Pretzelbodylogic
  3. Aintturninround
  4. Plectrumlectrum
  5. Whitecaps
  6. Fixurlifeup
  7. Boytrouble  (featuring Lizzo and Sophia Eris)
  8. Stopthistrain
  9. Anotherlove
  10. Tictactoe
  11. Marz
  12. Funknroll
Below is the music video for a track taken from this magnificent new album by 3rdEyegirl and Prince.
The track is the 6th track on the album Fixurlifeup. The track was officially released on 22nd May last year, 2013.
 
This song reminds me of Prince's early 1980's work on Paisley Park, when he was releasing more pop/funk that became hits all over the world.
 
As fans, we have been waiting for this kind of music side of Prince for many years.
 
We have witnessed this on albums from even a decade ago, but with 3rd Eye Girl, there is a sound here that is very similar to the kind of backing vocals Wendy and Lisa gave to Prince's songs in the 1980's. As fans, you recognise this fact straight away. It is an instant listening reaction.
 
This is really the genre of music where the artist in the beginning of his career became the legend.
 
I love the fact that on this song, Prince is drawing-out more of his rock persona, a vital music component that was very evident in the 1980's and very much made his music able to cross the genres of Pop, Rock, Funk and R+B.
 
 

 
 
 
 
 
Art Official Age is the thirty-third studio album by Prince. The album was released on September 30th 2014 by NPG Records under a renewed license to Warner Bros Records, marking the second collaboration of both parties since 1995's The Gold Experience. The title is a homophonic pun of 'artificial age'. 
 
Art Official Age debuted at number five on the Billboard 200 and sold 51,000 copies in its first week.
In its second week of sales, the album dropped to number 22 on the chart, selling 15,000 copies, bringing the total to 66,000 copies.
 
Art Official  Age received generally positive reviews from music critics. A Metacritic, which  assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 71, based on 21 reviews. In his review for the Chicago Tribune, Greg Kot said that is 'a more substantial and stranger album than Plectrumelctrum.'  Randall Roberts of the Los Angeles Times called it 'an exquisite Prince R&B album', while The Daily Telegraph's Neil McCormick said it is 'slick, seductive electro funk sci-fi concept album'. Kitty Empire was favourable toward Prince's use of digital production in her review for The Observer and called it 'a far better album than you'd dare hope from the latter-day Prince.'
 
In a less enthusiastic review for AllMusic, Stephen Thomas Erlewine wrote that Art Official Age is a 'full-fledged R&B album in the vein of Prince's work with the New Power Generation, but some of his modernization feels a bit ham-fisted'. Q magazine was more critical and dismissed it as 'an overlong, pan-generic concept album', while Jon Pareles of The New York Times said  'its songs lack memorable melodies  despite the 'musicianly ingenuity' of their production.
 
If there is a link of studio albums Prince has made in the past with this new studio album, that link is in albums like 1988's Around the World In a Day' that took in more psychedelic-pop to what Prince does musically, but this time on this new studio album, is taking more of Parliament/Funkadelic's more sci-fi/psychedelic music concepts. There is also a fusion here on this album to an album like 'Diamonds and Pearls' (1991) more soul/r+b vocal music expressions.
 
Again, I love the fact that Prince is looking back on his music discography and forging a new kind of music expression that really connects not just with Prince but also his fans around the world. A music expression that is working more on the popular expressions of pop and rock music. The music (if truth be told) is much more accessible to a world-wide fan base and one where his fans can really make an honest judgement of Prince's music creativity.
 
Prince will always amaze as an artist (that is what he basically is creatively (like Stevie Wonder) An Amazement. There is on this album links to the kind of music Prince made at the beginning of his music career, but what makes this album really special, is in Prince's use of digital production on the recording of this new studio album.
 
It is really Prince's use of digital production on this album that is the biggest surprise, because this is the kind of production that truly takes Prince into the future as a recording artist. His use of digital production on this album takes Prince into brand new music-sonic expressions, that Prince has not explored before (so-far) in his music career, certainly not through the concept of a whole album like this.
 
Track Listing for Art Official Age
All Songs written and composed by Prince.
  1. Art Official Cage
  2. Clouds
  3. Breakdown
  4. The Gold Standard
  5. U Know
  6. Breakfast Can Wait
  7. This Could Be Us
  8. What It Feels Like
  9. affirmation I & II
  10. Way Back Home
  11. Funknroll
  12. Time
  13. affirmation III
 
Below you can see the music video for the track that was released from this album last year (2013), Breakfast Can Wait.  This is one hell of a sexy music video and one where Prince is not in it (well kind of) because there is a girl in this music video who is made-up to look like Prince, so you are always aware of Prince's presence in this music video by this girl, Prince look-a-like.
 
Prince has always used dancers in his music videos throughout his career in releasing his music videos, but this is the first time (I certainly have seen) where the dance troupe is taking the lead throughout the whole music video. This instantly connects Prince's music with the dance-expression community, and one as a viewer that is truly amazing to behold in a Prince music video.
 
Also included is a video audio of the 11th track on this album Funknroll. A track that really shows-off Prince's artistic music powers and is able to merge his past and future music concepts  with a new reality of present day-future studio production.
 
Truly Amazing!
 
 

 


 


 
 
 
 
 
 
Labrinth is currently in a recording studio working on his second studio album.
 
The new studio album is named  Take Me to the Truth. Labrinth's new studio album is going to be released in the Spring of Next Year, 2015. He has been writing the album with Ed Sheeran.
 
When I receive more details about this album (including the album's cover) I will include these details in future posts of this blog.
 
The first single from this new studio album by Labrinth is called 'Let It Be'.   The song premiered in August 2014 and was released on September 28th 2014.
 
Let me tell you all, of all the Music Recording  Artists who are currently out there making music in the United Kingdom at this present time, Labrinth is the Artist I am most excited about.
 
I wrote an album review of Labrinth's debut album 'Electronic Earth' in 2012, for musicvita.com, where I praised just about every kind of music facet of this album's creative process, including the creativity of his music videos. I had never (in my life-time) come across a Black-British Male Recording Artist of Labrinth's age demographic, who has displayed so much music creativity from their debut album, as Labrinth displayed on his debut album Electronic Earth. All this from (like myself) a boy from Hackney. It is truly an incredible legacy that Labrinth has left and a real inspiration to other Hackney musicians who come from the same kind of music genre.
 
Signed to Simon Cowell's Syco Label, Labrinth was allowed the creativity to just create as far as his music imagination could take him. Yes, there was a lot of Cowell's financial clout on his debut album and music videos, and Oh My Gosh! did you see and hear this on this particular debut album.
 
Forget Labrinth is a Black-British Male Artist, I not sure that ANY artist (of any race, colour or creed) in British Recording History has been given so much incredible free reign with special effects in music videos on their debut album, than Labrinth displayed from the music videos that came out with single releases from his debut album.
 
That is why I just cannot wait to review this new studio album by Labrinth, when it finally arrives for the world to listen to and view the kind of  music chapters of expression Labrinth continues with.
 
For his new single Let It Be, Labrinth instead of taking the music directions that were there on his debut album; this single really seems to capture the spirit of Ray Charles for Music Inspiration.
 
I saw a performance of this track recently on BBC2's Later With Jools Holland and could not believe what I was seeing or hearing. I was so excited viewing this track on TV, it felt like I was having some kind of out of body experience. The thing that is different about Labrinth than with any other artist of colour in the United Kingdom, is that you can tell and see that Labrinth is purely doing this for the love of music. I think with Labrinth we have only got to the tip of the iceberg, there is (I believe) some kind of future music expression that one day could possibly be the equal of Prince and Stevie Wonder.
 
With the Music Video for Let It Be, Labrinth could have again used Simon Cowell's financial clout and bombarded his music video with enormous special effects (why would you not, when the special effects music videos that embraced his debut album, had so much artistic merit in them? but NO! Labrinth has gone in the complete opposite direction (still with special effects) but not that much as to bombard the screen.
 
I have to congratulate Labrinth in making this bold decision. It shows an artist with his own (not others) music and visual creativity. This is the kind of artist (I believe) we will still be talking about in 20 years time.
 
I love every single facet (music and visuals) of the Let It Be Single.
  • The Incredible Ray Charles Impersonation with a timbre of sound to Ray Charles that is instantly recognisable when you hear it.
  • The use of Incredible music instrumentation on this track that has been beautifully recorded in its most majestic music sonic expression.
  • The incredible uses of electronica that are displayed on this track, that in no-way overtakes the real music instrumentation of the track.
  • The music video's colour palate. Colours that compliment each other in hues of browns, greens and beiges.
  • The Incredible photography of this music video.
  • The use of multiple images of Labrinth and movement of the moving camera that uses the space of the environment to very good use. This music video reminds me of Jonathan Glazer's music video direction for Jamiroquai's Virtual Insanity (1996) music video. 
So here is the incredible music video for the first single released from this new studio album. The Incredible music track, Let It Be.
 
 

 
 
 
 
 
I'm Not Bossy, I'm the Boss is the tenth full-length studio album by Irish singer-songwriter Sinead O'Connor, released on August 11th 2014 on Nettwerk Music Group. The album was originally to be called The Vishnu Room after the song of the same name, but was changed, along with its original cover design, shortly before release in support of the Ban Bossy campaign.
 
The Album's release was met with positive critics reviews from such publications as American Songwriter, The Guardian, Now and  Slant Magazine. The Metacritic aggregate score on August 12th 2014 was 66 out of a 100. Fred Thomas, writing for AllMusic gave the album 3.5 stars out of 5, with a favourable review, opening with this comprehensive summary: 'A decade of inconsistent, spotty or simply confusing output from iconic Irish singer-songwriter Sinead O'Connor was redeemed with 2012's refreshingly focused and honest effort How About I Be Me ( And You Be You)? That album saw O' Connor effortlessly creating the same type of emotionally charged yet easily melodic fare that constituted her earliest, most popular work, and positioned her graceful return to form. Two years later, I'm Not Bossy, I'm the Boss follows the impassioned pop framework of its immediate predecessor, branching out into even more vivid stylistic dimensions and retaining all the energy, controversy and fire that have come to define O'Connor as both a musician and a political figure. Taken at face value, the songs here are vibrant and multifaceted.'
 
Tracklisting for I'm Not Bossy, I'm the Boss
  1. How About I Be Me
  2. Dense Water Deeper Down
  3. Kisses Like Mine
  4. Your Green Jacket
  5. The Vishnu Room
  6. The Voice of My Doctor
  7. Harbour
  8. James Brown (with Sean Kuti)
  9. 8 Good Reasons
  10. Take Me To Church
  11. Where Have You Been?
  12. Streetcars
     Deluxe Edition
 
13.    How Nice a Woman Can Be
14.    Make A Fool Of Me All Night
15.    Little Story
 
Below is the music video for first single released from this new studio album by Sinead O' Connor, the track, Take Me To Church. This track was officially released on August 11th 2014.
 
 

 
 
 
 
 
 
747 is the sixth studio album by American country music group Lady Antebellum. It was released on September 30th 2014 by Capitol Records Nashville. The album's lead single Bartender reached number 1 on the US Country Airplay chart in early September 2014.
 
Group member Hillary Scott told Billboard that they chose to name the album after the track 747 because ' The track itself has this pushing, driving spirit about it that sums up our attitude right now. We are pushing ourselves as a band and as songwriters... taking ourselves out of our comfort zone and not taking ourselves too seriously. There's an urgency and an energy to it that we've never released before.'  The group produced the album with Nathan Chapman making it their first album not to be co-produced with long time collaborator Paul Worley.
 
The album received mostly mixed-to-positive reviews from contemporary music critics. Stephen Thomas Erlewine of AllMusic rated the album three-and-a-half stars out of five, writing that the album's pop-leaning sound 'showcases the trio at its best' and that '747 gives the impression that the band has embraced its crossover status'. Jill Menze of Billboard also noted the band's confidence on the record and attributed it to the more upbeat feel of the material. 'The group's move away from its comfort zone is a worthy venture,' writes Menze. She continued...'Lady A has always demonstrated the potential to deliver a little something more and on 747, we finally get a glimpse of it.' Billy Dukes of  Taste of Country praised the band for mixing things up on 747 and deviating from the middle of the road vibe of prior releases: He says...'Over their last few albums, Charles Kelley and company had fallen back to the middle... 747 provides depth, variety and most importantly, a vibe Lady Antebellum can call their own'. Dukes also compared the sound on 747 favourably to the repertoire of Fleetwood Mac, noting Golden collaborator Stevie Nick's influence.
 
Michael McCall of  MSN Entertainment  described the album as having 'a cohesive, celebratory feel that brings out the best in the group members' and praised the band for pursuing a sound that sets them apart from other country acts. Gregory Hicks of  The Michigan Daily wrote a positive review applauding the band for consistently delivering enjoyable country pop, but suggested that their sonic transformation on 747 was not as ambitious or pronounced as it has been made out to be. He states...'As a typical Lady A-formulaic manufactured record,' Hick Explains, 'it's an attractive, emotionally grasping LP...but don't expect the album to cop an attitude in its sound.'
 
In a more critical review, reporter Mikael Wood of The Los Angeles Times felt the album was too heavy on 'zippy pop-country arrangements' and that the trio's trademark harmonies suffered at the expense of tempo. Mac Hirsh of  The Boston Globe found the album's sequencing to be ineffective, drawing particular attention to the way the album 'seems to simply stop' due to a lack of finality in the closing track, Just a Girl, and criticized the band for being formulaic in their approach.
 
747 debuted at No.2 on the Billboard 200, with first-week sales of 74,000 units. The previous week, Billboard had predicted the album to debut in the top ten with sales around 70,000.
In Canada, the album debuted at No.3 on the Canadian Albums Chart, selling 8,000 copies in its first week.
 
Track Listing for 747
  1. Long Stretch of Love
  2. Bartender
  3. Lie With Me
  4. Freestyle
  5. Down South
  6. One Great Mystery
  7. Sounded Good at the Time
  8. She Is
  9. Damn You Seventeen
  10. 747
  11. Just a Girl
Deluxe Edition bonus tracks
 
    12.  Slow Roll
    13.  All Nighter
    14.  Fall For You
 
All songs produced by Nathan Chapman and Lady Antebellum, except:
  • Lie With Me, produced by Chapman, Eric Kinny and Lady Antebellum
  • Just a Girl, produced by Chapman, Dave Thomson and Lady Antebellum
  • Fall For You, Produced by Busbee
 
 
 
Bartender is a song written and recorded by American country music trio Lady Antebellum. Written by group members Dave Haywood, Charles Kelley and Hillary Scott along with Rodney Clawson and co-produced with Nathan Chapman, the song was released to country radio by Capitol Records Nashville on May 12th 2014 as the lead single from the group's sixth studio album 747. It was released to country radio by Capitol Records Nashville on May 12th 2014, as the lead single from the group's sixth studio album, 747. It was released to iTunes the following week, on May 19th 2014. In its first week at radio, Bartender was the second most-added song of the week (with 72), behind Small Town Thowdown by Brantley Gilbert featuring Justin Moore and Thomas Rhett.
 
The music video was directed by Shane Drake and premiered on the  (American TV Programme:)Today Show on June 19th 2014. It co-stars model Kate Upton and  Veep/Arrested Development actor, Tony Hale.
 
Matt Bjorke of  Roughstock rated the song four stars out of five and spoke positively of the 'fresh, new sound' the group is exploring. He Says... 'The sing-song-y nature of  (' Bartender's bridge and chorus) give the song some bite and make it the kind of song that should've always followed up  Need You Now,' says Bjorke. Bartender starts a new and exciting chapter in Lady Antebellum's career and gives us something to really look forward to with their follow-up to last year's Golden. Melinda Newman of Hitfix placed Bartender at #4  ( of 21) on the website's Top Summer Songs of 2014, writing that 'the upbeat melody and the time-honoured tradition of drinking to forget, not to mention the banjo at the end, make this tune too much fun to be a downer.'
 
Bartender debuted at No.43 on the Billboard Country Airplay Chart for the week ending May 31st 2014. The song was certified Gold by the RIAA on September 11th 2014. It has sold 941,000 downloads as of October 2014.
 
So here is the music video for the first single released from 747, Lady Antebellum  new studio album. This is for the second track on the album: Bartender.
 
 


 
 
 
 
 
 Happy Music Buying and Listening Folks!
 
Roger Howard   22/10/2014.